وارد شدن به دنیای فرش های ایرانی سفری بی نظیر است.با کاوش در این دنیا تاریخ گمشده و پنهان آشکار میگردد و سنتی دوران باستان در هزاران سال گذشته و جابجایی فرهنگ ها در گذر تاریخ هویدا میشود.در دنیای فرشهایدنیا قدیمی ایرانی ، دنیای مادی جنبه راز آلودی پیدا میکند.گلها و اشکال هندسی با سمبلهای ژرف و عمیق به رنگ آغشته میشوند و رنگها و اشکال معانی ژرف را منتقل میکنند.
مطابق سنتی قدیمی و اعتقادات باستان ، اشکال هندسی و موضوعات سمبلیک مالک قالیچه ایرانی را از شیاطین و اتفاقات ناگوار محافظت میکند.در این مورد طراحی های فرش در اقوام ایرانی همانند اشکال هندسی حیوانات، مردم و موضوعات روزمره باعث شده تا قالیچه های آنتیک و قدیمی دست بافت ایرانی نمونه کلاسیک و ریشه داری از زندگی هنری تقلیدی و هنر تقلید زندگی باشد همانگونه که نمایش های بی بدیل و طرحهایی غنی بافندگان فرش ایرانی ادامه می یابد تا هنرمندان و طراحان در دنیای پیش روز آن تنفس کنند.
با طرحها و سنتهای ایرانی بی شماری در کلیه شهرها توسط بافندگان و گروههای فرهنگی توسعه پیدا کرد و ماندگار شد.
با حفظ چارچوب های خود و جلوگیری از تغییرات عمده در طرحهای منطقه ایی و تغییرات جزیی در تکنیک و مصالح به کار رفته در هم تنیده می شوند. قالیچه های قدیمی مشرق زمین که پیش از سال 1920 از سرزمین ایران یا پرشیا بافته شده اند بیانگر طیف گسترده و ژرفی از الگوها و طرحهای قالیچه و سبک تاثیرگذاربا وسعت بی شناری از اقوام نیمه کوچ نشین است تا سنتهای امپراطوری خود را در بافت به نمایش گذارند، که در امپراطوری های صفوی و مغول اساس آن بنا نهاده شده است.
تجارت بین المللی فرشهای سنتی و قالیچه های ایرانی در هزاران سال قبل به وجود آمد و نتیجه تبادلات طرحهای مجذوب کننده بین شرق و غرب بود.اگر چه فرشهای آنتیک نمادی از مهربانی و آرامش در هنر هستند و تکه طراحی های اشرافی و لاکچری احساس راحتی را در خانه ها به وجود می آورند اما هر فرش ایرانی در خود داستانی را به همراه دارد که تاریخ مرپیچ و خم همه قالی های بافته شده پیش و همزمان با خود را به همراه دارد.به این موضوع هم اشاره شود که عبارت فرش آنتیک پارسی با عبارت فرش آنتیک ایرانی مترادف است چون این قالیچه ها در روزگاری در سرزمین ایران بافته شده اند که در گذشته به سرزمین پارس شناخته میشده است .
در دورانی که دکوراسیونهای مدرن جهانی پدیدار گشته اند ، قالیچه های ایرانی اعتبار دوچندانی به خانه هاو تاثیرگذاری زیاد و بی نظیری در دکوراسیون دارند.
این نمایش عالی از قالیچه ها و فرشها، ظرافت کلاسیک و بی انتهایی در فضاهای داخلی غربی به درستی ایجاد میکند. برای قرنها قالیچه های پرشین بافته شده با طرحهای استادانه ، استاندارد و معیار طلایی در طرح سنتی به شمار میرود.
رنگهای چشم نواز، اشکال گیاهی شاداب و پرآب و رنگ، تزیینات با سلیقه ،با دقت زیادی متوازن شده اند و مطابقت با قوانین کهن و باقیمانده گذشتگان دارند. طرحهای به وجود آمده در قالیچه های آنیک ایرانی یک هدیه برآمده از نسبتهای بی عیب ، راحتی در بیان و ابراز و استایل و سبک بی انتهاست .
اصول هندسی باستان که اشکال ، نسبتها و زوایای قوس های پیچ در پیچ را القا میکند و به شکلی سخت گیرانه این رویه پیروی میشود بدون آنکه سختی و تیزی در آنها هویدا گردد. حتی امروزه، فرش های آنتیک و محصولات تولید شده ایرانی به این دلیل دارای ارزش زیادی هستند که دارای دوام، ماندگاری، بافته های مجلل و پرخرج و رنگهای قوی و قدرتمند هستند ولی طرحهای برگرفته از گیاهان فراوان و طرحهای تناسب دار اعلا، رمز و راز واقعی در ورای محبوبیت ابدی و ظرافت نامحدود و بی انتهای آنهاست.
راهنمایی گسترده در زمینه فرشهای پرشیا ( ایرانی)
در این بخش ما به کلیه سوالات که به دست ما رسیده است در مورد قالیچه های ایرانی دستبافت به طور جانع پاسخ میدهیم.
ما ویژگی های مختلفی از قبیل تاریخچه ، چگونه آنها ساخته شده اند، تفاوت مصالح که در آنها به کار رفته است، آنچه آنها را ایرانی می کند یا دور از مکان اصلی آن بافته شده اند، را پوشش میدهیم. اگر پس از خواندن اطلاعاتی که در زیر آمده است سوالی داشتید که ما پاسخ نداده ایم به ما ایمیل
بزنید، ما تحقیق و بررسی میکنیم و در اینجا انتشار میدهیم و از این دیدگاه که خود را ملزم به آموزش و تعلیم بی انتها میدانیم پاسخ میدهیم.
معرفی فرش و قالیچه های دستبافت ایرانی:
از نظر تاریخی، بزرگترین فرش تولید شده که در پارس تزیین و نگارش و بافته شده در تبریز 1500-1550 و هرات 1525-1650 و کاشان 1525-1650 و کرمان 1600-1650 بوده است.
شاید مهمترین سهم فرهنگی داده شده به جهان هنر که توسط مردم ایران زمین ارائه شده است هنر فرش ایرانی است . فرش ایرانی آن فرشهایی است که در دیار پارس بافته شده است (قرن اخیر ایران). اگر واژه آنتیک را برای فرش ایرانی بخواهیم در نظر بگیریم به فرشهایی اتلاق میشود که حداقل 80 سال قدمت داشته باشد. قالیچه های ایرانی بیانگر مثالهایی از هنر بافت ریز که تابحال جهان به خود دیده است میباشند. روشهای پیچیده و مصالح دارای کیفیت اعلا،تضمین میکند که هر قطعه یک کار هنری منحصر به فرد و زیباست.
رنگهای طبیعی، ابریشم ، کرک و یا پشم به صورت نخ تابیده به طورگسترده استفاده شده است. بافت با دست ( در فرشهای کهنه ) که در هر قطعه شبیه قطعه دیگری نیست و فداکاری بافندگان تضمین میکند که تولیدات آنها برای دهه ها باقی خواهد ماند ( و در خیلی مواقع برای قرنها)
از نظر تاریخی ، اقوام بدوی ، کشیش های روحانی و پادشاهان علاقه به استفاده از قالیچه هایی از سرزمین پارس بوده اند به عنوان پوشش کف ها و تزیینات دکوراسیون.
امروزه این فرشهای ارزنده به عنوان کارهای هنری و تکه های ارزشمند ثروت و سرمایه گذاری شناخته می شوند.
امروزه ، ریزبافت ترین قالی های آنتیک از ایران در سراسر جهان تحسین میشوند به خاطر کیفیت عالی و ریزبافتی، رنگهای زیبا و طرحهای هنری. به سادگی با ایستادن در همان اتاقی که قالیچه ایرانی قدیمی و اصیل پهن شده است میتواند یک تجربه عالی و بی نظیری باشد. این نمونه کارهای چشم نواز و مجلل از هنر ، توانایی منحصر به فرد آن است که در لحظه ایی تماشاگر را از زمان و مکان جا به جا کند. هدیه آنها ما رابه سفری روح بخش و نشاط انگیز به سرزمینهای دورافتاده، عجیب و غریب و زمان آغاز تاریخ می برد.
اینها ماده ایی هستند از بیشترین داستانهای رنگارنگی که تابحال برایمان گفته شده است. این گرایش در بسیاری از جمع کنندگان آثار هنری و دانش پژوهان که تا بحال زیسته اند به وجود آمده است. زیبایی ذاتی یک فرش قدیمی ایرانی ، ترکیب بندی منحصر به فرد، کمیابی آن که موجب شده بیشترین خواستار راداشته باشد. تنوع مطلق این فرشها که در خلال قرنها به وجود آمده است یک وصیت نامه قدرتمند به سنتها و فرهنگهای غنی از محل سرچشمه و پدیداری آن است .
تاریخ فرش و قالی از سرزمین ایران:
سرزمین پارس که امروزه آن را ایران مینامند امپراطوری بزرگ و قدرتمند و باستانی ایی داشت که از آفریقا تا هندوستان در سیطره او بود. در دوره زمانی بین 1500 تا 1736 بعد از میلاد از لحاظ اوج آثار هنری بسیار مورد توجه قرارگرفت چنانکه شبیه به دوره رنسانس اروپا مینمود. در دوره حکمرانی سلسله صفوی سبک خاصی در هنر به وجود آمد و بسیاری از هنرها مورد تشویق قرار گرفته اند از جمله نقاشی ، خوشنویسی و بافتهای ظریف و پیچ در پیچ.
در دوران صفویه ، شهرهای مدرن آن روزگار مانند تبریز ، کرمان، هرات و اصفهان بازار اصلی تولید فرشهای ظریف و ریزبافت را در دست گرفتند. فرشهای دستبافت با طرحهای ظریف و پیچیده که از فرهنگ آریایی و ایرانی الهام گرفته بود با مهارت و هنر فراوان ایجاد و مورد تکریم و احترام قرار می گرفتند که برای صدها سال از بند اسارت و محدودیت رها شده بودند. پس از گذشت سالها و از نسلی به نسل دیگر این قالیچه ها تاریخ زنده ایی شده اند. شاهدی بر این میراث با ارزش و گرانبها این است که هر فرش پارسی قدیمی داستان مربوط به خود را دارد. در خلال قرن شانزدهم این فرشها به مصرف کنندگان و دوستداران آن از طبقه های اشرافی و بالای جامعه در کشورهای دیگر در سراسر جهان صادر گردید. در خلال سال 1850بزرگترین خریداران، کشورهای اروپایی مانند انگلستان و آلمان بودند. این کشورهای اروپایی خود باعث تشویق بازار تولید این فرشها و گسترش کارگاههای قالیبافی بیشتری در شهرهای مهم آن زمان مانند تبریز، کرمان، مشهد و سلطان آباد شدند. از همانرو بود که در زمان حکمرانی رضاشاه پهلوی کارگاههای فرش های سلطنتی ساخته شد تا بالاترین کیفیت فرش و قالی در جهان را داشته باشند.
قالی های دستبافته ایرانی بخش مهمی از فرهنگ مدرن و نوظهور ایرانی هستند. با گذشت زمان از نیاکان گذشته آنها نماینده مجموعه مهارتهای در حال نابودی هستند، این فرشها بسیار گرانبها و میراثی بدون قیمت میباشند و بیشتر از سایر دارایی ها مورد احترام قرار میگیرند.
طرحهای پیچیده و رنگهای عجیب و غریب و مرموز کمترین چیزی است که میتوان بیان کرد.آنها دریچه ایی هستند که تاریخ غنی و سرچشمه ایی که این هنر از آن ایجاد میشود را به بیش از دوهزار سال گذشته میگشایند و نمایندگی میکنند.
نه تنها هر قالیچه منحصر به فرد است بلکه هر منطقه رنگ مربوط به خود را در پالتهای رنگرزی دارد و الگوهای تکرارشدنی و پیچ در پیچ خاص خود را دارد و نیز در بافت و طرحهای ساقه مانند که برگرفته از ترکیب بوم و طبیعت منطقه و نیاکان و اجداد کوچ نشین آن منطقه است منحصر به فرد است.
?How were the Persian carpets made
The construction of Persian rugs varies based on the city, region or village where they were woven. The “traditional” Persian carpet is tied with a single looping knot (Persian or Senneh knot). The vertical strand of thread in a Persian carpet has one loop. This use of a single knot is essential in establishing the identity of the place where the rug was made and can sometimes help in identifying the artisans who made it.
When comparing carpets, the way to identify the knot used is to splay open the pile by bending the rug against itself and looking at the base of the knot.
?Are the Persian carpet designs unique to that region
The design of a rug can be misleading. Some rugs may feature a ‘Persian design’ but were woven elsewhere. An example of this convention would be Indo-Persian rugs. These carpets were woven in India with Persian design and construction elements. It’s a surprising fact that, despite the tribal wars, migrations, commercial influence and rebellions – the methods of rug construction used by different cultures has changed very little over time.
Persian rug patterns are recognizable to the trained eye and have existed for many generations.
Many of the older Persian carpets from Tabriz have a central medallion, quartered corner medallions appearing over a field of scrolling vine ornaments, accented with single animals or birds, animal combat scenes and mounted hunters. Carpet grounds were red, blue and sometimes white but colors tended to be muted, partly because the sheep in the Northwest have coarse wool but mainly because of the salt quality of the water used in the dyeing process.
?What would be considered the peak of the Persian carpet production
The carpet production in Persia peaked during later nineteenth century. By this time, these carpets had become virtually synonymous with the concept of the “Oriental rug”.
During the late 19th century, the Persian rug weavers recaptured much of the range and quality of their predecessors. This holds true for both the older weaving centers like Tabriz and Kerman, as well as in many new areas of production like Sultanabad or Kashan.
Since that time, Persian carpets have been made in an almost dizzying array of styles from the finest urban productions to the boldest village and nomadic pieces
?When did the carpet production in Persia begin
Among the carpet producing regions of the Middle East, none is as varied and extensive in its output as Persia. It is possible that fragments of ninth century pile carpets discovered at Fostat near Cairo were imported from what is today the country of Iran.
There is evidence that carpet weaving in Iran really began during the Mongol or Ilkhanid period c. 1300, as well as for the subsequent Timurid period up through the late fifteenth century.
But the “golden area” of Persian carpet weaving really began after 1500 with the foundation of the Safavid dynasty by Shah Ismail. During the sixteenth and seventeenth centuries, Persia produced many of the great masterpiece carpets that are still in existence today.
Major centers of production took place (and some still are) in the cities of Tabriz, Kerman, and Isfahan. That said, there is no firm historical documentation for attributing carpets to the last site during the early years of rug production.
During these periods Persian carpets were exported all over the world, from Japan to Western Europe. It is perhaps as significant that the lavish carpets captured, as booty, from the Ottoman Turks, after the Battle of Vienna in 1683, consisted primarily of Persian rugs… even though the Turks were themselves major producers of hand knotted pile carpets
?How did the rugs from Persia make it to other countries and the rest of the world
Following the Silk Road, the rugs from Persia also made their way west to Europe. In Spain, the Islamic insurgence brought rug weaving traditions from Northern Africa and Morocco to Southern Europe through the Mediterranean trade routes. They transported rugs from the Caucasus and Transylvanian Balkans to the Renaissance painters and Italy’s upper class.
In the Caucasus, the bottleneck of rug weaving traditions intensified as displaced ethnic groups from Romania, Armenia, Azerbaijan and Russia shared cross-cultural designs that were transported north to Eastern Europe.
With various points of entry, including longstanding Viking trade routes, through the harsh Arctic Sea, these carpets as well as the actual weaving techniques thrived throughout Europe, Scandinavia and Great Britain
?What would be considered the most famous carpet from Persia
As many authorities believe, the most famous Persian carpets came from Tabriz and are referred to as the twin Ardabil carpets. These carpets are in the permanent collections of the Victoria and Albert Museum and the Los Angeles Country Museum
?What are some of the best styles and types of Persian carpets
Beginning in the second half of the 19th century, an importer of merino wool conceived the notion of re-launching the rug making industry. The greatest Ustadan (weaver) Mohtashem, is responsible for these finely woven carpets made in both wool and / or silk.
Mohtashem Kashan’s are characteristically known for their purple or less often ruby red silk bindings used for the selvages and pretty much all were woven using blue wefts. These are the most highly regarded of all the Kashan weavings.
Kerman carpets have a unique structure called the ‘vase technique’. The earliest examples have been escalating in value and interest at an unbelievable rate.
Garden carpets (ornamented with formal gardens and water channel) and ogival lattice carpets are examples of this technique. Designs of fantastic complexity were executed
?Are all the Persian rug designs pretty much the same or do the vary
Overall, Persian rugs are among the most diverse and beautifully designed of all antique Oriental rugs. The rich story of the cultural and historical background of Persian rugs is one of the most interesting in all of art history.
There is a Persian carpet out there for anyone who seeks one. That quest is sure to be an exciting and edifying experiences.
Another less known but interesting fact is that story of the 16th century Shah named Humayan. During his 10 year exile, he happened upon two artists. When he returned to India and regained power, he directed weavers to translate the painters’ style into rugs.
These rugs can still be found today. Their unique beauty and inherent history is a paradigm example of what makes antique Oriental rugs so valuable
?Are Persian and Iranian rugs the same thing
Yes – Persia was the name of the Empire whose territory included what is the modern day country of Iran
?What would be considered an “antique” Persian rug
Antique carpets are rugs that were made at least 80 years ago. So for a Persian rug or carpet to be considered “antique”, it needs to have been woven in Persia and be at least 80 years old or older.
?What makes Persian Rugs so valuable? Aren’t there a lot of these carpets around
The number of antique Persian rugs will only decrease over time. This is one of the reasons why they are of such great value. While today there may be a lot of rugs available on the market, very few are considered by the trade to be “good examples”.
As time goes on, less and less of the true antiques will survive. As the number decreases, the value will rise. Today we are in the midst of an escalating interest in these works of art. This is why the best and earliest examples have been consistently selling for, what would be considered, only a few years ago, unfathomable amounts (the record for a rug sold at auction is currently $34,000,000).
?Why have the designs in Persian carpets changed over time
As Western influence expanded across the Middle East throughout the 20th century, primary cultures began to lose their self defining attributes (since they began weaving based on the current market trends and demands). People’s abilities to sustain traditional crafting techniques faded and original motifs were slowly lost. The divide between antique carpets and all those that follow shows, over time, that the quality of these pieces diminished on all levels.
?Are the older rugs from Persia considered works of Art
There are few avenues in the art world that offer as much rich cultural and historical context as those found in the antique rugs from Persia. The rugs that were woven in Persia were literally woven with the aesthetic and cultural ideals of an entire people, and perhaps most importantly, rug-making was the art form that the people of Persia took more seriously than any other.
The Persian people took much pride in the textile art they created. Thus, it is in the antique carpets from Persia (modern day Iran) that we find the very finest and the most important examples of Persian textile art in general. To know the Persian rugs is to know a people and a culture in a way that is rare in the art world.
Persian Rugs are regarded as one of the highest levels of artistic sophistication accomplished by humankind. As such, designers, artists and collectors covet these masterpieces.
“these rugs seem to me to focus most effectively on the convergence of color, texture and design in perfect balance and harmony.”
There is no doubt that Persian rugs are among the most beautiful and enduring artistic creation ever crafted. The beauty and complexity of Persian carpets that are antique, is timeless, inspiring, exciting and edifying.
Like the feeling of intimacy that one experiences when one sees the brush strokes in a painter’s finest work, so too does one feel a connection to the master rug-makers of Persia when one sees up close the meticulous weaves of a gorgeous rug. Persian carpets and rugs are a great treasure of humanity, and to know them as such is to know the limitless nature of fine art.
Would Persian Master Weavers Sign Their Carpets?
Sadly, most rugs, even those woven by master weavers, were not signed. A master weaver’s signature and method can help in determining where the carpet was made. It can also assist with what style the carpet exhibits, and naturally, who the weaver was. Urban cities have traditionally facilitated Persian rug weaving as a commercial industry.
Any manufacturer’s production would have been greatly influenced by the market demands of the time. At the helms of such production companies were the master rug-weavers.
These individuals were the ones who chose the colors and organized the weavers. These master-weavers designed with a personal identity that superseded group identity. Therefore, in such instances, the vernacular craft gave way to conscious visual art form. Today these masterworks can be found in museum collections such as The Metropolitan Museum. They can also be found in the inventories of fine antique carpet galleries.
Do the older Persian Rugs Make For a Wise Investment?
In addition to being beautiful works of art, the best examples of Persian carpets have been collected throughout history. They are also collectible today by individuals as investments. Historically, the rugs from Persia have been referred to as ‘Iranian stocks and shares’. Iranian market places are full of underground vaults where businessmen keep their precious pieces. Persian carpets of museum quality would be considered on par with the investment potential of a master painting.
That said, they are relatively less expensive and can serve a more practical use. Today, Persian carpets still remain a viable commodity. *Note: Relative to market demand, unless damaged, the best Persian rugs will not, for the most part, depreciate in value; therefore making them valuable investments. Prices will reflect and fluctuate with market demands.
What do the names that dealers use for Persian carpets mean?
With the introduction of varying cultures’ commodities and art (in all its varying forms) at the market place, came the inevitable copying and constant modifications of designs and motifs.
A rug’s design, in and of itself, does not necessarily identify where it was made. Nor does it tell us who the people who authored it were. In general, Antique rugs from Persia receive their names from either:
- The tribes or people that wove them. Example: Kurdish rugs are those rugs that were woven by Kurdish people. Since they were mostly nomadic, they are not assigned a specific city or region.
- The region (city, district, town, villages) in which they were crafted. Example: Tabriz rugs are those rugs that were woven in the Persian city of Tabriz.
- In rare instances the weaver’s name will be given to a specific production. Example: Ziegler rugs were rugs that were designed and manufactured by Ziegler & Co.
Note: There are exceptions to this general rule, as is the case with Serapi Rugs. In the case of Serapi carpets, the term Serapi refers to the older and “better” rugs that were made in the city of Heriz.
What dyes were used to make rugs in Persia?
The dyes used when weaving Persian rugs were generally natural. This served to create lustrous, animated works with great depth of field.
The recipes used to dye the fibers were commonly comprised of berries, insects, minerals and seeds. The combinations were unique to each tribe, city and / or region. The weaving techniques they employed as well as the dye recipes were guarded as precious tribal secrets.
As a side note, the first chemical dyes were introduced to the rug markets during the mid 1800’s. Therefore, it is not uncommon to see such dyes in late 19th century pieces.
Are the Persian rugs woven as a family business? Would the designs be passed down from generation to generation?
Design styles were passed down through long lineages of craftsmen within a tribe or group. Family members wove alongside one another. Weaving first for the household then for the market.
For the common designer, individual identity was not important. What was important, was to accurately execute the traditional style. Thereby ascribing the signature patterns and motifs of the”tribe” to each carpet.
How long does it take to weave a Persian Rug?
Typically, a single carpet could take months and even years to create. The actual time depends on the size and quality of the carpet.
The finer the carpet, the more KPSI it has and therefore the longer it takes to create. Often times many people would work side by side on the same carpet.
This is part of the deep appeal and the timeless quality of antique Persian carpets!
What are the different Persian knotting techniques?
Knot types used in Persian rugs most often include:
The Persian knot is commonly used when weaving finer rugs. Simply because it is generally a much smaller than its counterparts.
Wrapping around one warp, then passing behind the neighboring warp so that it divides the two ends of yarn, makes the knot.
The Turkish knot is made by passing between two neighboring warps, looping under one, wrapped around both, then pulled through the center. Both ends will come out between the two warps. (Diagram of Turkish knot.)
Double Knotted: The second knot sits in front of the first knot. With the double knot technique, the second knot is not visible from the back.
It is important to note that if a rug is machine made (including hand tufted), it is not a genuine antique Persian rug!
Do the designs and patterns of Persian rugs have meaning?
The older Persian rugs will mainly feature abstract pictures of geometric and / or floral shapes. This is mainly a result of the fact that many of the Persian people are Muslim and Islam does not allow living beings to be duplicated through imagery and art.
But what may seem like random shapes and abstract designs, are, for the most part, anything but!
The patterns and designs have been passed on from one generation to another and many of these motifs have pretty profound meanings (such as lucky charms, wishes and messages).
Why do people decorate their homes with Persian rugs?
The best antique Persian rugs are a timeless. They fill a room with a beautiful combination of old world tradition and style. Many of the major taste makers as well as the biggest names in the field of interior design incorporate them into their projects.
The rugs are a unique manifestation of the rich Persian culture and art which date back hundreds, if not thousands, of years to as far back as the Bronze Age.
If a person wants to decorate the interior of their home or workplace, these rugs should be placed high on the list of items to get.
They serve their purpose exactly the way you expect while enhancing the overall room décor. They are a prized possession that will always be cherished.
By incorporating these rugs in interior decors, they add color, depth and excitement. No room is complete without a beautiful piece on the floor!
Who is the best dealer of Persian rugs?
Naturally, we believe that Nazmiyal is the best dealer for Persian rugs. That said, we urge you to do your due diligence.
The more antique rug galleries people visit, the more educated they become. Since we stand behind everything we sell 110%, we believe that an educated consumer is the best buyer.
Why do people buy antique Persian rugs?
The buying of an antique Persian rug offers more than just a pretty decorative piece for the home. The better and more rare examples, offer great investment potential which usually grows as the rugs age.
Buying an antique Persian rug will make you an owner of a valuable, priceless and timeless piece of textile art. Needless to say, the rugs add a classy and an exquisite touch to any project.
Decorating Your Home with Beautiful Antique Persian Rugs
The delivery men have left. You’re standing alone in your apartment, hands on hips, brow furrowed. You look around the empty room (you’ve piled all of the furniture into the other rooms of the apartment in preparation for this moment). You admire the sheen of the floor at your feet and wonder whether it’s ever been as clean as it is now. Probably it hasn’t been.
As you ponder on your next move, you notice how nicely the sunlight pours through the large window on the far wall, how nicely it lands on the floor. You nod to yourself, knowing that you’ve made the right choice, that this is the perfect room for it. But still you cannot help but feel intimidated by the task before you.
Slowly and cautiously you approach the item that the delivery men have left behind, carefully rolled up and leaning in the corner by the door. Your new favorite thing in the world. The crown jewel of your collection of beautiful things.
Your very own antique rug, your very own Persian rug.
Of course you’re overjoyed with the purchase. The piece is absolutely gorgeous. You knew the instant that you saw it that you had to have it.
But now you have all this pressure – all this responsibility – to do it justice, to place it properly, to arrange the furniture properly around it. After all, you’ve never owned anything quite like this. Your antique Persian rug is more than 80 years old (how old a piece has to be to be considered an antique rug) and beautifully done with a gorgeous design and brilliant colors.
You know that the piece was hand-woven and dyed with natural ingredients, that it is an impeccable masterpiece. And now it is your job to make sure that this beautiful piece of art can be appreciated by all who see it, and you are more than slightly apprehensive about the task before you.
But relax – there’s no need to work yourself up over this seemingly daunting task. After all, decorating with antique rugs is a tradition as old as antique rugs themselves, and there is a wealth of information on the subject.
For instance, it is an established rule of thumb that if you’re going to place your antique carpet on a nice floor (like the beautiful, gleaming hardwood floor that you just polished to a shine), then it is more than acceptable to leave some space around carpet. You can even use the carpet to define spaces – for instance, you might want to place a sofa on the carpet to create a living room space whose borders are articulated by the rug.
Of course, that brings up the question of furniture placement, a potentially sticky wicket. But again, there are established do’s and do not’s. For example, your rug – which has an all-over, repetitive design – is perfect for furniture placement.
If you find that your rug is too beautiful a piece to totally cover with your large sofa, you should know that it is perfectly acceptable to place just the front two legs on the carpet – that way, you get to define your living room space with the carpet and the furniture without having to worry about obscuring the beauty of the piece.
Perhaps the most important thing to know, however, is that this is now your antique Persian carpet. You had the keen eye to pick it out, and it is your apartment that it is now going to enhance, to beautify, to bring to life. While you do want to be aware of the traditions and conventions of placing such a beautiful thing as your stunning antique Persian rug, you shouldn’t feel bound to them.
It is your personal taste and judgment that led to your purchase of this piece, and it is that same personal taste and judgment that should ultimately dictate the placement of the piece and the subsequent feel it brings to your room. So relax! As the proud owner of an antique
Persian rug, your problems are good problems to have! At the end of the day, the beauty of the piece will speak for itself. You’ll be the envy of all who set eyes on it. Just remember to enjoy it and good things will follow!
Nazmiyal NYC is the Global Leader for Persian Carpets
Many times we associate Persian rugs with magic carpet rides thanks to the likes of Disney blockbuster hits such as Aladdin, Aladdin 2: Return of Jafar, and Aladdin 3: The King of Thieves. Well, listen here, Ali Baba, you don’t have to search far and wide to find one of these magical treasures.
(Though, I can’t guarantee you that every Persian rug will make you an aviation specialist, I can guarantee that one of these remarkable finds will really bring your home true richness of historical quality.)
The Nazmiyal Collection has been a global leader in the antique carpet trade for the latter part of the century and into the new millennium. As such, the rugs they offer are hand-picked to offer the utmost quality and textiles enriched with history and tradition. (Cue song from Fiddler on the Roof. Whoops, wrong country.)
Like our posts on Sultanabad rugs or Tabriz carpets, the Persian rug is a rare find of a gem to the home accent world, yet, differs in its earlier historical relevance, making Persian rugs one of the most sought after textile in the rug industry. When one sees one of these rugs, there is a a journey into the majestic world of ancient civilizations over 2,500 years ago.
These days, antique Persian rugs of all sorts and sizes are “mah-jor” investments. (Just ask Rachel Zoe or Victoria Beckham.) As such, we suggest you pick up one of these bad boys if you really want to solidify that true antiquer status.
Persian rugs are essential statement pieces for the true antique aficionado and connoisseur of crafty finds. These treasures from the Orient are full of geometric shapes, floral designs, and bold color palettes that will best suit your home’s needs in order to create a den of true beauty and antique rug history.
Whether you’re hanging a Persian rug as a decorative focal point on the wall or laying one down to enrich the ground in which you walk, these antique diamond finds will have you creating your own Middle Eastern getaway that your guests will truly be jealous of your Persian treasure.
Make sure to guard those puppies as your guests hands may get sticky, trying to pull the carpet right under your feet. Happy hunting!
Nazmiyal is your clear choice Persian carpets
Persian Carpets – If you’re in the market for a rug, Nazmiyal Gallery is the best place to start. We have a vast collection of diverse Persian carpets and antique Oriental rugs in different sizes and styles, and you can look through this amazing collection of the Rugs and Carpets right here online.
It’s a convenient way for you to find the next centerpiece to your room or a new addition to your collection.
In addition to displaying our extensive inventory of Persian carpets, our website also contains useful information regarding these works of art for people who are new to this market. At Nazmiyal , we want all of our customers to feel like they are making a truly informed decision when it comes to purchasing Oriental rugs.
You’ll find a lot of information on our site regarding the history of oriental rugs, maintenance guidelines and considerations to make when purchasing Persian carpets.
If you would like to talk with one of the experts at Nazmiyal Oriental Rugs, please feel free to give us a call at 877 784 3463. They’ll be able to guide you through our vast inventory of Persian carpets and help you find the type of piece you’re looking for more quickly. If you prefer, you can also contact us with your request by filling out the online form on the Contact Us page. We’ll promptly respond to your email with the information you’re looking for.
History of Major Persian Carpet Weaving Regions
Iran, formerly known as Persia, has long been known for its exquisitely beautiful and sumptuous handmade carpets. Carpet weaving is so deeply ingrained in the culture and traditions of this ancient land that Iranian weavers have elevated it into an art form using a wonderful mix of colors and patterns.
Although Persian carpets are made all over Iran today, the major Persian weaving centers include Tabriz, Heriz, Kerman, Sarouk and Oushak.
Persian Tabriz Rugs:
Tabriz is a city with a long and colorful history. Once the capital of a succession of khanates, including the Safavid Iranian Empire; it is now the capital of East Azerbaijan Province of Iran. To carpet lovers, its significance lies in the fact that it is one of the oldest rug weaving centers in the Middle East. While the period between the 12th and the 16th century is considered the golden age of rug weaving in Tabriz, the city is still an important center for rug weaving and a huge variety of carpets and rugs are made here.
Heriz is a city in the East Azerbaijan Province of Iran, situated not very far from the city of Tabriz. This small city is well known for rugs and carpets made of tough and durable wool of the finest quality. The wool’s toughness is attributed to the fact that the city sits on a major deposit of copper on the slope of Mount Sabalan. Traces of copper found in the drinking water of the area makes the local sheep’s wool tougher than wool found in other areas. Because they are so tough and mostly come in larger sizes, Heriz rugs are suitable for dining rooms and hallways.
Persian Kerman Rugs:
Kerman, once the capital of Iran and currently the capital of the Kerman Province of Iran, is the largest and the most important city in southeastern Iran. Boasting a long and colorful history, the city is home to many historic mosques and Zoroastrian fire temples. The city has been a major center for high quality carpets for several centuries. Among antique carpets, Kerman carpets are considered to be among the finest. They are highly prized by collectors for their beautiful designs, broad pallet, use of natural fibers and dyes, impressive tensile strength and abrasion resistance, and expert color combination.
Persian Sarouk Rugs:
Sarouk, also spelled as Sarouk or Saruq, is a town in Markazi Province in northwestern Iran. The town and the nearby city of Arak, along with the surrounding rural areas (together known as the Arak weaving district), are famous for the Sarouk carpets, which are made of tough and durable high quality wool.
Sarouk rugs are considered among the finest in the world. American customers of the 20th century were so enamored by the curvilinear and floral design of these rugs that America has its own version of Sarouk rugs. Today, the finest Sarouk rugs come from a small town called Ghiassabad